Dark EyesTraditional; Arrangement by Chet AtkinsTranscribed from a Youtube video; TablEdited by michaeljoyce@hotmail.comu +!e {F F C {N0N N N0N N N0@F I N#N @^ @!!l!!{!,{`,F:n@-N0P-N0`-:nH.N0`. :n. `00I 0I `1C@77B{CN CN DN DN DN EN EN @FF FI FN GGN H@MM$M MpMUX{@XN0`XN0Xf:nPYN0pY N0Y :nHZN0hZN0Z :n[I \\I ]CHc* `cpc cAcn{ni n*`o o*`p p*`@qI `qI qi.@q*`sCt&y{@*`i i @*`i i @*` i i @*`I>I>) X{@h @f k @f k k @I>`i0F0Нk F0@[`{`k   # Pk @F0c0G{@H& EEi }P) & @wn{@I `*@i `*݂i ݂i @i `*ރi ރi @߅I 0`*߅i ߆i @C@' ( @j>K{@i I k @I `I I k K H'  @K`^{ F f ` k f P k f i i @ K F%@Qhy{o  @o o  o  o   !o !o ! @"i0`"i0"f0"0$&@))\)x4{@7& 7& 7f `8)0@9 9&09&0@?d`?2?n?J{@JJF JF Kf Kf Lf Lf Mf Mf NF.NF%@O!@PP%@UU~Ur`{@`f @a aF @b bF b @c @d dC@ef5e@g@k4kv{@wF wF wF xL8xL8y,8y,8@zFzz@|"{F @pL#F ,8,8А@F{@F F F L8L8,8,8Ц@F8@!{F @& ,8,8@F8м{@F υF υF L8L8,8,8@F8@ {@p,  F L8 L8,8,8@F8@{@FF F ,8 F8@F8@{@!,  p ,   ,8 ,8@F8@&{@' F 'F 'F ),8),8@*F8**@,<{@= p=, = = , = >L8>L8?,8?,8@@@AFR{@RF RF RF U,8U,8VV@WF8@]$h{@h i, i pj, j kl8k,8@lF8ll~{@F f f ,8,8@F8Ђ@#{F F @F f f f f @CF00F00@F8@{i0i0i i `i @A @z@{@ @ f @ f  @ @ @0C@f C C @L8L8@,8,8F8PF8 " 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C D @F  L8@,8,8F8PF8 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8F0C F C C @L8L8@,8,8F8F8P11!8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C D F @F  @L8L8@,8,8F8F8P11$8@$i8$8$i8% 8@% i8% 8% i8&8@&i8&8&i8(8@(i8(8(i8+C0,C .C /C @0L80L8@1,81,82F8P21213F89 : 8@: i8: 8: i8; 8@; i8; 8; i8< 8@< i8< 8< i8=8=i8> 8@> i8?8?i8AC0BC E@EF E E D @F 8F 8@G,8G,8PHHIF8IF8OP 8@P i8P 8P i8Q 8@Q i8Q 8Q i8R 8@R i8R 8R i8S8Si8T 8@T i8U8Ui8WC0XC `ZI Z Z [D `[ [ \ L8@] ,8] ,8P^^_F8@__F8ef8@fi8f8fi8g 8@g i8g 8g i8h8@hi8h8hi8j8@ji8j8ji8mC0nC p pd @q F q r L8@s ,8s ,8PttuF8uF8{|8@|i8|8|i8} 8@} i8} 8} i8~8@~i8~8~i88@i88i8C0F F I D `I  @L8f @,8,8F8PЊ@F88@i88i88@i88i88@i88i88@i88i88@i88i8C0C `I  D @L8L8@,8,8F8PР@F88@i88i88@i88i88@i88i88@i88i88@i88i8C0F0F0`I  I D `  @ L8@ ,8 ,8PжF8F8 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C Ȉ `I  F ɉd @ L8L8@ ,8,8PF8F88@i88i8 8@ i8 8 i88@i88i88@i88i8C0F F މI ` I"c F @ L8 L8@,8,8PF8@F8 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C  `I D @ L8 L8@,8,8PF8@F8 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8F0C F D ` I  @ L8 D @ ,8 ,8F8F8P8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C f0@ F0 0 F0!f0@!F0!F0!F0"f5,8@,i8,8,i8- 8@- i8- 8- i8.8@.i8.8.i808@0i8080i83C04F 4F 6 F3@6&i0 6F36)i0@7 F3@7(i0 7F37+i0@<B 8@B i8B 8B i8C 8@C i8C 8C i8D 8@D i8D 8D i8E8Ei8F 8@F i8G8Gi8IC0JC L F3@L&i0 LF3L(i0 M F3@M(i0 MF3M)i0 X 8@X i8X 8X i8Y 8@Y i8Y 8Y i8Z 8@Z i8Z 8Z i8[8[i8\ 8@\ i8]8]i8_C0_C0bf3@b$0@bf3b(0 c f3@c&0@cf3c)0 n8@ni8n8ni8o 8@o i8o 8o i8p8@pi8p8pi8r8@ri8r8ri8tC0uC0x&3@x$I0@x&3x&I0 y &3@y&I0@y&3y(I0 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C0&3@#i0 &3&I0@&3@%i0 &3(I0@ 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C &3@)I0 &3(I0 &3@+I0 &3)I0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0F3@.i0 MI0KMI0K F3@-i0 MI0KMI0K8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C MC0K 3 +1 K1 k0MC0K 3C8@i88i8 8@ i8 8 i88@i88i88@i88i8F0F0C0F0@ +1P K1` k0f0 +1 K1 k08@i88i88@i88i88@i88i88@i88i88@i88i8C0C0F0@ +1P K1` k0F0&08@i88i8 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i8F0F0C  +1 K1  k0@f0C08@i88i8 8@ i8 8 i8 8@ i8 8 i8"8@"i8"8"i8%C0&C @(HF0(F0(F0)48@4i8484i85 8@5 i85 85 i868@6i8686i888@8i8888i8;C0<F <F > i0 >i0@? i0`? i0?i0@ i0@ i0A i0D J 8@J i8J 8J i8K 8@K i8K 8K i8L 8@L i8L 8L i8M8Mi8N 8@N i8O8Oi8QC0RC W I W I @WI `WI X F X F ` 8@` i8` 8` i8a 8@a i8a 8a i8b 8@b i8b 8b i8c8ci8d 8@d i8e8ei8gC0gC0n!*nv8@vi8v8vi8w 8@w i8w 8w i8x8@xi8x8xi8z8@zi8z8zi8}C0~C @F0F0F08@i88i8 8@ i8 8 i88@i88i88@i88i8C0F F I0I0 I0`I0I0I0@I0I0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C I0I0 I0`I0i0ୋ0@I00 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0‰i0ˆI0 Éi0`Éi0ÉI0ÉI0@Ċi0ĊI08@i88i8 8@ i8 8 i88@i88i88@i88i8C0C0؉i0؈I0 ىi0`ىi0ىI0ىI0@ڊi0ڊI08@i88i8 8@ i8 8 i88@i88i88@i88i8C0C0i0I0 i0`i0I0I0@i0I0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C i0I03 i0`i0I0@i0I0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0I0F0 I0`I0I0@I0I0 &8@&i8&8&i8' 8@' i8' 8' i8(8@(i8(8(i8*8@*i8*8*i8-C0.C 0I00F003 1I0`1I01f013@2I02F023<8@<i8<8<i8= 8@= i8= 8= i8>8@>i8>8>i8@8@@i8@8@i8BF0BF0CC0FI0FI0 GI0`GI0GI0GI0@HI0HI0LR8@Ri8R8Ri8S8@Si8S8Si8T8@Ti8T8Ti8U8@Ui8U8Ui8W8@Wi8W8Wi8XC0YC0\I0\I0 ]I0`]I0]I0] I0@^I0^I0h8@hi8h8hi8i8@ii8i8ii8j8@ji8j8ji8k8@ki8k8ki8m8@mi8m8mi8oF0oF0pC rI0rI0 sI0`sI0sI0sI0@tI0tI0x~8@~i8~8~i8 8@ i8 8 i88@i88i88@i88i8C0C I0F03 I0` I0 0 3@I0 0 3 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0F F K0K0K0@K `K K0РK0 K PK K0K K  8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C K0@K0K0K0 K0`K0K0ുK0K0PK0K0жK0P к 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0K @K K K K `K I PK K K I 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C f0@F0F0F0000f>0H@f8 f8f8f8C0i0i0 i0`i0i0i0@i0i07 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8 C0 C i0 i0 i0` i0 i0 i0@i0i0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0"i0"i0 #i0`#i0#i0#i0@$i0$i0(.8@.i8.8.i8/ 8@/ i8/ 8/ i808@0i8080i828@2i8282i84C05C08i08i0 9i0`9i09i09i0@:i0:i0D8@Di8D8Di8E 8@E i8E 8E i8F8@Fi8F8Fi8H8@Hi8H8Hi8JC0JC0Ni0Ni0 Oi0`Oi0Oi0Oi0@Pi0Pi0TZ 8@Z i8Z 8Z i8[ 8@[ i8[ 8[ i8\ 8@\ i8\ 8\ i8]8]i8^ 8@^ i8_8_i8aC0bC di0di0 ei0`ei0ei0ei0@fi0fi0p 8@p i8p 8p i8q 8@q i8q 8q i8r 8@r i8r 8r i8s8si8t 8@t i8u8ui8wC0wC0zi0zi0 {i0`{i0{i0{i0@|i0|i08@i88i8 8@ i8 8 i88@i88i88@i88i8C0C i0F03 i0`i0f03@i0F038@i88i8 8@ i8 8 i88@i88i88@i88i8F0F0C0 c0 c0 c0 c0 c0 c08@i88i88@i88i88@i88i88@i88i88@i88i8C0C0 c0 c0 c0 c0 c0 c08@i88i88@i88i88@i88i88@i88i88@i88i8F0F0C c0c0 c0 c0 c0 c08@i88i8 8@ i8 8 i88@i88i88@i88i8C0C c0c0 c0 c0 c0 c08@i88i8 8@ i8 8 i88@i88i88@i88i8C0F F i0`i0i0i0@i0i0 i0i0  8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i8 8 i8 8@ i88i8C0C i0`i0c0@i0c0 iC0  8@ i8 8 i8! 8@! i8! 8! i8" 8@" i8" 8" i8#8#i8$ 8@$ i8%8%i8'C0'C0*C3*c3+c3+3,c3,3-c3-3.c3.3/C/C/c068@6i8686i87 8@7 i87 87 i888@8i8888i8:8@:i8:8:i8=C0>C @0@00A0A0B0B0C0D0EL8@Li8L8Li8M 8@M i8M 8M i8N8@Ni8N8Ni8P8@Pi8P8Pi8SC0TF TF Wi @Xi Xi  Yi Yi Yi Zi `Zi \a7b 8@b i8b 8b i8c 8@c i8c 8c i8d 8@d i8d 8d i8e8ei8f 8@f i8g8gi8iC0jC `li l mi @ni nf0 oi oF0pF0qx 8@x i8x 8x i8y 8@y i8y 8y i8z 8@z i8z 8z i8{8{i8| 8@| i8}8}i8C0C0i @i i  i i i `i i 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C0`i  i @i f0 i f0f08@i88i8 8@ i8 8 i88@i88i88@i88i8C0C0i0@i i0 i `i ౅i i i  8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C `i  Ɔi @Ɔi f0 Dži f0f0 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0ڈi0@܇i0܇i0 ݊i `݊i0݊i ވi ވi 8@i88i8 8@ i8 8 i88@i88i88@i88i8C0C `i  i @i f0 i  F0f08@i88i8 8@ i8 8 i88@i88i88@i88i8F0F0C0i0@i i0 i ` i  i  i  i  8@i88i88@i88i88@i88i88@i88i88@i88i8C0C0` i  i @i f0 i f0 f0!(8@(i8(8(i8)8@)i8)8)i8*8@*i8*8*i8+8@+i8+8+i8-8@-i8-8-i8/F0/F00C 2i0@3i0 4i04i04i0`5i06i06i08>8@>i8>8>i8? 8@? i8? 8? i8@8@@i8@8@i8B8@Bi8B8Bi8EC0FC `H i H Ii @Ji J f0 Ki K f0Lf0MT8@Ti8T8Ti8U 8@U i8U 8U i8V8@Vi8V8Vi8X8@Xi8X8Xi8[C0\F \F ^i0@`i0`i0 ai `ai0ai bi bi dj 8@j i8j 8j i8k 8@k i8k 8k i8l 8@l i8l 8l i8m8mi8n 8@n i8o8oi8qC0rC `t i t u f0vi @vi v f0 wi x f0y 8@ i8 8 i8 8@ i8 8 i8 8@ i8 8 i88i8 8@ i88i8C0C0 i0` i0 i0 i0@ i0 i0 i0 i0C f8 f8f8f8F0 i0` i0i0i0@ i0i0 i0 i0  i0`i0i0i0@i0i0 i0i0x  f0f0f0@f0 f#@f#f f6f#@f#f f6f#@f#f f6f#@f#f f3@f3f0C tW`0^ 6 6 KFreely and ExpressiveBigsby Vibrato Rall.......A TempoFalloffBigsby Dive and ReturnRall Until End E min6e  E min6@@ n B7r@s B7E minA min6A min E min D  C0# 1#6#P6#B7!@` "A min&@ 'C7++@.,B7=0@A1E min5@`T6A_@@ ` A mind@e E mini@0jE minn@CoB7Rs@@Vt B7S@TE minX@YB]@`^B7eE mind@B7(+5)dB7(-9)E mined E mine E min9?A min(7) E minB11+@@ ,E min0@1B7d$AOT"P3B7dE minedA min@ ?B7edA min6@eA min7B7(+5)E minThis transcription is taken from a video of the mid 1950's, of a young Chet Atkins. Chet recorded a longer, more extensive version in the RCA LP "Chet Atkins In Three Dimensions". This version features Dark Eyes played in both 3/4 and 4/4 and has a number of Chet's signature rolls and licks. Chet's guitar had a Bigby Vibrato that Chet used freely, in addition to left hand vibrato. By virtue of the video, it's easy to distinguish which is which and I've marked each technique in the score. Measure 71: Note that Chet prematurely moves the chord form and it interrupts the pattern of the arpeggio. The last two notes of the measure are barely audible and they appear to be transition notes that Chet played in between the two chord forms. I'm not entirely sure that Chet consciously decided to do this and I don't think I'd spend a lot of time trying to duplicate it. I believe Chet originally intended a simple repeat of measure 70, which is in keeping with the rest of this chorus. Measure 104 and 105: Check out Chet's fingering on the video for an E min6 chord. The camera shows this very clearly. Chet jumps into this form just like it was a 1st postion C chord. c0 %).38Chet Atkinsardc1 %).38Timing/Chord Diag c0 %).38Rhythm Guitardc 05:?DBassm Guitard001103110000=1077>7:7<87F300P022S0/00000000000001:@4/111103'::::H<1000010?0020000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s #bABCDEFGEEIJKLMNO$A