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F Fi@`i@@F?F?@ &? &?FFi@`i@@F?F?@ &? &?!F"F$i@$`$$i$$(C`)i))D@*F?*F?@+&+&,F@--F/i@/`//i//3D4F @4F4I@5F?5F?@6&6&7F8F:i@:`::i::?C?C@@F?@ F?@A&?A &?BFC FEi@E`EEiEEICJ C@K F?KF?@L &?L&?MFNFPi@P`PPiPPTCTIUF@VF?VI@W&?W&XFYFY[i@[`[[i[[a@b&?b&?cFdFfi@f`ffiff@jIjDk`kIk@lF?lF?@m&m&?nFoFqi@q`qqiqqv Cv vD@w F?wF?@x&?x&?z FzF|i@|`||i||D`iD@F?F?@&&FF@i@`iD` I C@&&F@Fi@`i@`@&?&?FFi@`i@??@f?f?ffi@`i @    F@ F FFA@BCDi@`i @   F@FFFE@FGH`#FǜIJ$Chord diagrams repeat unless noted.Key Change to C.WThis part is meant to be simulation of the echo effect Chet used and not to be played.This lick is for Paul Doty.Key change back to A.GhGGGE min7@@ DeD dim7F?,0GAGhF#7m7&?FEfEA6gGhF9edAbE7eAbE7@efE7eGGhGGGB7? ?GGGE7ȲȲȲ,ɲfEA7ibA7BBBcD edBBD6 @ecBD9d@GhGGGGGB7edDfE7 @@ gGF9@FgF7-@0FggE9?@CEEfAR@@V hG(B13-9$@i%EfE7x)@{*GE6d@HHiHC@8<@<=CCCDDeDDAbCCdCCG7EEEEA mind@GGGGB mindIjAb7 HiG7@@Gi@KEEEEEEA min7@GGGGGB min7JkJJJG min7 HHiHHC7HHFDeEb7eCdD7? ?AbCHHiHHCedDDeDDDDAb7@eCCdCCG7d@AbG9 (D min6)dCCdCG7edDC dim7fEG7;@@ <@@@@ACCeCCC7-E@0FDeDDAb7CCdCCG7EGEfEb7DeD7CCdCGHHjHjG min7HHiHHC7EfEgFAbAAFDDeDD dim7EEfEEA7HHiHC dim7GiG7IjjG9 (13) LA KlKKG# min7 IjIIF# min7 GGGE7EfED Maj7DeDDC# min7CdCCC min7BcBdBB min7BBANNAA little while back I bought Chet's and Jerry's DVD "Live at the Bottom Line". One of the highlights of this performance was the resurrection of Chet's 1967 version of Three Little Words, and especially the mouth harp solo that Pat Bergeson takes. I transcribed the Solo Flights version, but not being a fan of gimmicks, I had to make a version that would be playable by us Back Porch Pickers. That is, NO octabass guitar, NO reverb, NO echo, and no guest appearance by Jerry, Pat, or Paul. The result is this TEF Three Little Words for Us Mere Mortals. The tune is two passes in A, then a modulation to C for a pass, and back for a final pass in A. The tune presents no particular problem for anyone with an intermediate ability at thumblick guitar playing. I tried to keep as much of the spirit of Chet's recordings as possible and even the part in C doesn't stray real far from the melody. In fact, if one wanted just to play the melody in C, the last 8 measures can be copied into the appropriate areas. c0x %).38Electric Guitarcb 0 #*+/4D %).38Percussiontar001103110000=0077>777<>7F000P023S0//1000000000001:@4/011103'::::H<1000010?0020000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s